The Ego and the Other in Pablo Neruda's Poetry In the light of comparative study

Abstract

Pablo Neruda stands as a towering figure in Latin American literature. His magnum opus, "Canto General," is celebrated as a pivotal epic that encapsulates the anthropological and geographical essence of Chile, symbolizing the "self." Concurrently,Neruda's work offers a portrayal of the "other." This paper seeks to delve into the duality of the self and the other as depicted in "Canto General," scrutinizing the methods employed by Neruda to craft these images. Furthermore, it examines the interplay between these dichotomous elements within the context of comparative literature, particularly in how one nation's literature can portray another. The study assesses whether Neruda's representation is grounded in historical and factual accuracy or whether it
leans towards imaginative depiction, despite drawing on historical records and multiple sources.