The dramatic pattern in the poem "The Story of the Princess and the Boy Who Speaks to Water" by Ahmed Abdelmuti Hijazi

Abstract

The contemporary Arab poet realised new visions in reaching aesthetic awareness
to new horizons that allow this poetry to be truly representative of this period,
expressing it, and among the manifestations of renewal is the orientation to the
dramatic structure in the poem based on the idea of conflict and the formation of the
self in an objective opposition, in which the poem was slightly stripped of its lyrical
character to give way to modern experiments aimed at breaking the traditional mould,
benefiting in this regard from its combination between poetry and various other
literary arts, and we lack here to talk about the nature of the relationship between the
poem and the theatre and how the contemporary poem has benefited in its
employment of the techniques of this art - the theatre - in enriching the contemporary
poem. theatre to enrich the contemporary poem?
What is the extent to which the contemporary poet was able to reach aesthetics that
traditional poetry did not reach in order to achieve uniqueness and distinction?