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This research entitled (Authoritative influencing the diversity of visual discourse in postmodern arts) aims to uncover the perceptual and imaginative cognitive mechanism influencing postmodern arts and its visual outputs, so the justifications for the research came according to the disclosure of the Authoritative that represented a dominant influential pressure in transformation and change, whether in the formal construction, diversity of presentation methods, or a change in equipment and tools, and a variety of materials and materials over optical surfaces, the second chapter dealt with (the theoretical framework) and included the first topic: the data of visual discourse in art: in which the outputs of the visual discourse in the stage of modernity are followed. Reaching different visual forms and formulas that go towards the depth of the transformations and the scientific revolution in the twentieth century, that visual discourse in art follows the change and change of the aesthetic sense of the human being, and the beauty is mainly based on the relationship between form and aesthetic need. Concerning the artistic work, because the values of beauty are closely linked to the relationship between the subject and the object, which forms the basis for every awareness of aesthetic phenomena. The individual is to imagine and present an idea or information by using formal data. The second topic: motives and influences in postmodern arts. Postmodern society as a result of globalization that led to the mingling of societies and civilizations and made available information as the typical postmodern artistic work realizes those strategies and the elusive restrictions on identity and human discourse: then presenting postmodern currents within the boundaries of the subject of the research, and the third chapter, measures came Research on tracing the Authoritative influencing the visual discourse of postmodern art, the diversity of techniques, the multiplicity of materials, the openness of the visual presentation in different directions, the overlapping of races, and the shifting of physical boundaries of the artistic work. The research ends with the fourth chapter, which deals with the results of the research, its conclusions, recommendations and proposals. Among the most prominent results: the visual discourse in postmodern arts subordinated to the removal of geographical boundaries between races for the overlapping of arts and knowledge fields and continues within influential technical and aesthetic data, the interaction of photography and its formal outputs and the diversity of techniques in it with postmodern arts by directly entering the core of expressive language and techniques of manifestation as a new means of aesthetic communication with the recipient, and this emergency interaction captured the attention of the artistic audience. Postmodern arts provided a visual discourse that believes in the plurality of materials and materials. and the case of adapting to the changes imposed by the events, after which recommendations and proposals were put forward.
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