PHILOSOPHICAL INTERROGATION IN DECONSTRUCTING ANDROCENTRISM IN GEORGES TARABICHI’S CRITIQUE: A CASE STUDY OF MOHAMED DIB’S TRILOGY AND NAWAL EL SAADAWI’S TWO WOMEN IN ONE
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Abstract
Engaging with the intellectual legacy of Georges Tarabichi necessitates a critical examination of his extensive and multifaceted corpus, spanning translations, literary criticism, and philosophical criticism. His intellectual journey exhibited significant ideological shifts, realignments, and transformations — a hallmark of eminent philosophers advocating for diversity within their philosophical projects. Central to Tarabichi’s critical project is his deconstruction of androcentrism
in Arab societies, particularly deconstruction of masculinity and its ideological constructs in Algerian author Mohamed Dib’s trilogy and the exploration of Nawal El Saadawi's female archetype and the myth of uniqueness in her narrative Two Women in One. He engaged with these texts with incisive intellectual rigor and extensive cultural insight.
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